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“Women within Gothic writing are inevitably victims”, To what extent do you agree with this view?

Within Gothic writing the role of women is traditionally seen as that of the victim, be it of masculine cruelty or supernatural forces. It can be argued that this is the view that is shown within Christopher Marlowe’s play ‘Doctor… Continue Reading →

‘Setting and character interact to create the gothic’ To what extent do you agree with this statement?

Within Gothic writing it may be seen that there is a strong connection between authors’ use of setting and characterisation. It may be argued that the relationship between this pair is the source of the Gothic elements within the narrative…. Continue Reading →

“Faustus is a gothic victim, rather than a gothic villain” To what extent do you agree with this view of Faustus’s role in the play?

Notably with ‘Doctor Faustus’ Marlowe forms a sense of ambiguity over the role of the protagonist within the play. It may be seen that Faustus fulfils the archetype of gothic villain due to his ruthless ambition and satanic connections. Although,… Continue Reading →

Consider the significance of forms of entrapment in Gothic literature.

A notable theme within Gothic literature is that of entrapment, be it of characters, setting or the narrative itself. This entrapment can take many forms and can have varying significance within individual texts. Within Bronte’s ‘Wuthering Heights’, entrapment is both… Continue Reading →

How do you respond to the view that, in the stories in The Bloody Chamber, Angela Carter presents a sinister distortion of family relationships?

Notably, the distortion and inversion of traditional family structures is a key theme within the narratives of Angela Carter’s collection of short stories ‘The Bloody Chamber’. At times these inversion fulfil the expectations of their gothic genre and portray sinister,… Continue Reading →

How far do you agree with the view that the play exposes the corruption of religious beliefs and practices?

The questioning of the validity of religious beliefs and practices, especially those associated with the gothic element of forbidden knowledge, can be seen as the central focus of Christopher Marlowe’s play ‘Doctor Faustus’. This questioning can be seen as exposing… Continue Reading →

“Entrapment, imprisoned and disempowered.” To what extent do you agree with this view of the position of women in Wuthering Heights?

A notably theme within Emily Bronte’s ‘Wuthering Heights’ is that of the entrapment and imprisonment, metaphorically and, in some cases, physically, of women. This entrapment may be seen as presenting the disempowerment of women within the novel. This is reflected… Continue Reading →

Faustus describes Mephastophilis as a ‘bewitching fiend’. To what extent do you agree with this view of him?

Within Christopher Marlowe’s play ‘Doctor Faustus’, the protagonist describes the demon Mephastophilis as being a ‘bewitching fiend’. This description seams very apt due to Mephastophilis being a fiend in the literal sense; he is a supernatural creature; a demon and… Continue Reading →

To what extent do you think Gothic writing is a disturbing exploration of the unknown?

Notably within gothic writing a common theme is that of the exploration of the unknown. Often the unknown or supernatural is portrayed as being disturbing or horrific; that it is something to be feared and not understood. Arguably this perspective… Continue Reading →

Focusing on ‘Brave New World’ and ‘1984’, compare the ways in which the authors use symbols to reflect the loss of individuality in society.

‘It is better that one should suffer than that many should be corrupted’. The idea that the needs of the commerce outweigh the suffering of the individual is prominent within both Orwell’s and Huxley’s novels. They both portray how in… Continue Reading →

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